Film

Is it possible that Anna Roisman stands alone in her adoration of the 2004 take on Ira Levin's satire of American middle-class married life?

The man behind How To With John Wilson froze when he was asked about his influences, so he decided to write some of them down.

Documentarian Sabrina Van Tassel on the path that led her to her most significant project to date, the stirring The State of Texas vs. Melissa.

To mark the release of his new film, Coming Home Again, the legendary indie director reveals some of things that brighten up his life.

Lydia Dean Pilcher, director of the new films Radium Girls and A Call to Spy, reflects on her personal and professional journey in 2020.

LiME writer-director Dawn Storey reflects on the impact, both personally and creatively, that Baldwin had on their life.

Julia Marchese on how being an outsider and her love of Stephen King led to her latest project, a film version of King's story “I Know What You Need.”

Indie legend Tom DiCillo writes for the first time about the backstory to his 2006 film and why he needed to revisit it for a new version.

Regular collaborators Frankie Latina and Mark Borchardt launch their new bite-sized film review show with Charlie Kaufman's latest mind-bending movie.

The director of This is Not a Movie interviews his subject, Middle East correspondent Fisk, about his abiding love of cinema.

Lifelong best friends Hannah Leder and Alexandra Kotcheff share adventures from making their debut feature The Planters alone in the desert.

When you travel all over and play a show a day for a year and make a movie about it, you inevitably learn lessons. But you also have to remember them.