Film

At Art Basel in Miami, Ondi Timoner leads a discussion on how philanthropic efforts can make art accessible for everyone.

The Strange Ones director Radcliff singles out AMC's period drama-horror, a show that managed to both surprise and inspire him.

In the wake of #MeToo and #TimesUp, the director of the new thriller Miss Bala takes stock of where the film industry is at.

Though Kay Cannon's debut has many of the trappings of a straightforward studio comedy, underneath is a much more complex, satisfying movie.

Shannon Plumb looks back on the impact the late filmmaker and Anthology Film Archives founder had on her life and career.

Jon Kauffman's dream job working under his favorite filmmaker, Darren Aronofsky, directly affected how he shaped his debut feature, Heartlock.

Melissa Stephens, creator of the new series Finding the Asshole, looks back at her formative experiences on the raunchy cable show.

Or, the adventures of a new mother attending a faraway film festival with her first feature — but not her baby.

At Art Basel in Miami, Ondi Timoner speaks with artists, architects, curators, and filmmakers who are embracing the fusion of technology and art.

The writer-director of the forthcoming All These Small Moments shares wisdom from being part of the art department on Barry Jenkins' latest.

Is it possible that Rawson Marshall Thurber's latest Dwayne Johnson vehicle is an action movie for the ages?

Adam Keleman asks you to give this tragicomic HBO show about white male privilege a chance.