Film
Emily Hagins (Grow Up, Tony Phillips) Talks Paul Weitz’s Grandma
Watching this new Sundance drama prompts a discussion of the issues around men making films about and aimed at women, and vice versa.
Actress and Songwriter Eszter Balint (Stranger Than Paradise) Talks Hubert Sauper’s We Come as Friends
A downtown NYC-based actress-singer-songwriter type is bowled over by this very human portrait of contemporary postcolonial Africa.
Nikole Beckwith (Stockholm, Pennsylvania) Talks Her Worst Date Movie Experience
Hot tip: do not go to a Lars Von Trier movie on your first date.
Terence Nance (An Oversimplification of Her Beauty) Talks F. Gary Gray’s Straight Outta Compton
A rap response to the box-office hit biopic about N.W.A.’s cultural ascent.
Stephen Winter (Jason and Shirley) Talks Shari Springer Berman and Robert Pulcini’s Ten Thousand Saints
On the pleasures and pitfalls of contemporary indie nostalgia in this 1980s set coming-of-age drama.
Zach Clark (White Reindeer) Talks Xavier Dolan’s Tom at the Farm
A Dolan hater does a 180 on the French-Canadian wunderkind after seeing his audacious psychosexual thriller.
Composer Geoff Barrow (Ex Machina) Talks with Composer Clint Mansell (Noah) for The Talkhouse Film Podcast
Two acclaimed film score composers discuss their craft, and movies today.
Michael Mohan (Save the Date) Talks Noah Baumbach’s Mistress America
The director and Greta Gerwig team up again for their most entertaining and impressive collaboration yet.
Aaron Stewart-Ahn Talks His 25-Year Relationship with Wim Wenders’ Until the End of the World
A personal journey through life, cinema, and time.
John Magary (The Mend) Talks Joel Edgerton’s The Gift
Among the virtues of this impressive debut feature is a resonant study of what it means to be an asshole.
Shari Springer Berman and Robert Pulcini (Ten Thousand Saints) Talk Bobcat Goldthwait’s Call Me Lucky
The two former documentarians find in this portrait of a standup comedian an unexpected power and profundity – and also a personal connection.
Jim Strouse (People, Places, Things) Talks Josh Trank’s Fantastic Four
What do an indie director and his eight- and 11-year-old kids think of the latest (and famously troubled) Marvel movie?











