Film
Love is a Many Splendored Thing, Or What the Movies Taught Me About Love
The Game actress Analisa Velez shares some of the romantic wisdom she gleaned from movies like Moulin Rouge and The Holiday.
Three Great Things: Bradford Young
To mark his current season at Metrograph, the visionary cinematographer and image-maker shares the things that give his life meaning.
“Not Great!” Or, How I Fought COVID Claustrophobia While Writing My Apartment-Bound Jewish Folk-Horror Romance Attachment
Gabriel Bier Gislason talks about the script struggles he went through with his new movie, streaming from February 10 on Shudder.
Three Great Things: Whitmer Thomas
The comedian, actor and musician, who's currently starring in The Civil Dead, on hometown Alabama, deep dives and casinos.
Pill Mills and Car Chases: The Story Behind American Pain
Filmmaker Darren Foster on how he spent 10 years documenting the rise and fall of the twins at the center of this country’s opioid epidemic.
Three Great Things: Noémie Merlant
The French actress, who's currently starring in Baby Ruby, on the people, rituals and animals that bring her joy in life.
My Love Affair with Attention Deficit Disorder
Letterkenny's Dylan Playfair on his complicated relationship with ADD, and how it made him the person he is today.
Striving for Amateur
For director Justin Zuckerman, making new his movie Yelling Fire in an Empty Theater was not about advancing his career.
Agoraphobic Freeway Blues
Zia Mohajerjasbi’s stream-of-consciousness take on one of the more unexpected personal meanings of the title of his new film, Know Your Place.
Three Great Things: Cheech Marin
The legendary actor-comedian, who’s currently playing Jennifer Lopez’s dad in the romcom Shotgun Wedding, on the best that life has to offer.
Underrated/Overlooked: Emily Bennett on Men
Alone with You writer-director-star Emily Bennett sets the record straight on Alex Garland’s divisive 2022 horror movie.
Underrated/Overlooked: Sarah Elizabeth Mintz on Sharp Stick
Good Girl Jane writer-director Sarah Elizabeth Mintz reclaims Lena Dunham’s unfairly maligned portrait of burgeoning female sexuality.











