Film
Am I The Only One Who Loves … House of Wax?
Anna Roisman goes out on a (Halloween-themed) limb for the much-maligned Paris Hilton horror, which actually has pretty great production values ...
A Culture of Violence: On Wes Craven’s Scream
The World is Full of Secrets writer-director Graham Swon on Wes Craven's genre-defining 1996 horror classic.
WeTalk — Docs in a New Spotlight
Ondi Timoner and her filmmaker panelists talk the art of documentary filmmaking at the 2019 Sidewalk Film Festival.
The New American Family
Director Beth Aala on the surprising relationship that helped shape her new documentary, Made in Boise.
Dry Rot: The Hidden Secrets Within Girl on the Third Floor
Producer-turned-director Travis Stevens on how a real haunted house inspired his new horror movie about toxic masculinity.
How Special Education Led Me to a Career in Filmmaking
Writer-director David Midell outlines how his past work as a teacher and therapist drew him to make The Killing of Kenneth Chamberlain.
“Art Doesn’t Save the World or Save Anybody”: An Excerpt From Luc Dardenne’s Diaries
From the new Dardenne brothers book On the Back of Our Images, Vol. 1, get a glimpse into the mind of one half of the fraternal filmmaking duo.
Movies With My Mom: Hustlers
Hustlers may well have been a critical hit and a smash at the box office, but Mel and her mother are a little harder to please ...
What I Learned Talking to Strangers From Different Cultures About Intimacy, Sex and Female Pleasure
Barbara Miller on the journey she took directing her new documentary, #Female Pleasure.
The Time I Was An Alien Rapist (for Gregg Araki’s Now Apocalypse)
Actor-writer-director Brian McGuire shares his extraterrestrial experiences working on the New Queer Cinema auteur's recent TV show.
As a Vegan, Directing a Documentary About Taxidermy Transformed the Way I See the World
Filmmaker and environmental historian Erin Derham charts the journey she took as she challenged herself making her new film, Stuffed.
“The Seed is Planted, The Terror Grows”
Patrick Lussier on his thematic preoccupation with paranoia, both in his new movie Trick and in two longstanding favorites.











