Film

For a long time, Brian Falduto was “the gay kid from School of Rock,” but now he’s happily writing new, exciting chapters of his life.

Exhibit A's creator Kelly Loudenberg shares stories and images from the show's unseen episode about bite marks.

Filmmaker Alix Lambert on Tamara Kotevska and Ljubomir Stefanov's exquisitely beautiful and very timely documentary Honeyland.

Actor Jason Mewes, whose directorial debut Madness in the Method is in theaters now, shares some things that make life special.

Garret Price on how he transitioned from editor to director to work with the Yelchin family on the intimate documentary portrait Love, Antosha.

Coyote Lake's Mexican writer-director Sara Seligman on her complicated feelings about making a film with Latino villains in the present era.

Photographer Stephen Wilkes writes to his mentor, Jay Maisel, on the eve of the release of his documentary about him, Jay Myself.

Writer-director Amanda Kramer, whose new movie Ladyworld hits theaters Friday, isn't afraid to ask awkward questions.

To mark the release of Costa's doc The Edge of Democracy, she talks with the director of Our Brand is Crisis and Big Men.

The Australian writer-director of Jirga on how his background as a paramedic informed his approach to taking risks in life and filmmaking.

Tarantino's much anticipated ninth film is his best so far, and also arguably the greatest movie ever about the movies.

Filmmaker Jack Dunphy on his late best friend John Cibula, and the shifting role Terry Zwigoff’s dark holiday comedy played in their relationship.