Film
Three Great Things: Dustin O’Halloran
The acclaimed musician and film composer, whose new album Silfur is out this week, shares some of the things that give his life meaning.
Queer Enough?
Milkwater writer-director Morgan Ingari interrogates her identity as queer given her current relationship with a cisgendered heterosexual man.
Let’s Go to the Tape
Through archival photos and audio, Oscar winner Anthony Giacchino evokes the 1990 trip to Germany that sparked his passion for telling true stories.
Three Great Things: Mena Suvari
The actress, who's currently starring in Grace and Grit, sings the praises of the beach, Akira Kurosawa's Dreams and Vince Guaraldi.
Am I The Only One Who Loves … Deuce Bigalow: Male Gigolo?
Anna Roisman revisits Rob Schneider's signature movie, a childhood favorite which also happens to be her mom's favorite film!
Reflections on the Making of a Hybrid Film: This Is Not a War Story
Writer-director-actor Talia Lugacy on how she rooted her new movie in authenticity through her innovative filmmaking approach.
Success Isn’t Where You Think It Is
Comedian Julia Scotti, the subject of the new doc Julia Scotti: Funny That Way, wants you to rethink what it means to make it.
Sound of Metal: An Addiction Movie Without Drugs
Writer-director Lane Michael Stanley on how the recent Oscar winning film portrays addiction and recovery in an unusual – and very necessary – way.
Three Great Things: Natalie Morales
The actress turned multihyphenate, whose solo directorial debut Plan B hits Hulu on Friday, shares some of her favorite stuff in life.
Three Great Things: Inbar Lavi
The Israeli actress, who currently stars as Eve in Netflix's Lucifer, on what gives her life the most meaning.
On the Idiosyncratic Pleasures of Billy Wilder’s The Front Page
Jim Hemphill celebrates the directing great's underappreciated 1974 remake, a film which arguably resonates even more strongly today.
Navigating Grief and Loss While Making My First Feature
Zeshawn Ali on how the passing of his father while making his debut film, Two Gods, shaped the film into a meditation on death and renewal.











