Film

The director of Coven continues his quickfire film-review series by turning his attention to Brandon Cronenberg's unsettling new horror movie.

Henry Butash reflects on how his time on three films by the master affected his own directorial debut, The Atlantic City Story.

Lillian LaSalle, director of the new documentary My Name is Pedro, on her challenging, emotional experiences during the pandemic.

Your vote could be incredibly vital in closing the book on this monstrous, authoritarian era of American politics.

Director John Stewart on his criminally overlooked stunt-filled thriller Action U.S.A., which is newly re-released in 4K.

Writer-director Graham Swon shines a light on Leslie Megahey's vastly underseen "indirect horror" movie, a lost BBC gem from 1979.

Is it possible that Anna Roisman stands alone in her adoration of the 2004 take on Ira Levin's satire of American middle-class married life?

The man behind How To With John Wilson froze when he was asked about his influences, so he decided to write some of them down.

Documentarian Sabrina Van Tassel on the path that led her to her most significant project to date, the stirring The State of Texas vs. Melissa.

To mark the release of his new film, Coming Home Again, the legendary indie director reveals some of things that brighten up his life.

Lydia Dean Pilcher, director of the new films Radium Girls and A Call to Spy, reflects on her personal and professional journey in 2020.

LiME writer-director Dawn Storey reflects on the impact, both personally and creatively, that Baldwin had on their life.