Film

Brea Grant, whose new film 12 Hour Shift is out this week, talks with Kit Williamson about their transition from actors to writer-directors.

Jay Paul Deratany, a working attorney who wrote and produced the new film Foster Boy, on his duty to share the stories of foster youth.

Director Luke Eve on the backstory to his new film, I Met a Girl, the latest in a series of projects focused on mental health.

The director of All Roads to Pearla recalls and shares images from a human trafficking raid in Houston that he covered as a photojournalist.

For director Anna Mastro, making Secret Society of Second-Born Royals connected her back to her adolescence – and her true superpower.

The former Obama White House photographer and subject of the new documentary The Way I See It looks ahead to life and art after COVID.

The director of The Devil All the Time on watching Miyazaki movies with his son, Rone's "Room with a View" and Simenon novels.

I’ve Got Issues writer-director Steve Collins on how he has looked to film, rather than religion, for a path to inner peace and salvation.

Dramarama writer-director Jonathan Wysocki on the perils and pitfalls of making work that draws from one’s own life.

Filmmaker Jesse Noah Klein on the very particular, resonant experience of seeing Béla Tarr's seven-hour-plus masterpiece during a global pandemic.

Screenwriter B. Dave Walters, the filmmaker of the upcoming doc Dear America, from a Black Guy, looks back on his journey as a Black geek.

Legendary director John Badham, who has a new edition of his book On Directing out now, shares a favorite filmmaking story.