Zach Clark

The holidays are a perfect setting for a horror film, but is this piece of seasonal cinema a turkey or a cracker?

It turns out watching Guy Maddin's latest retro melodrama is even more awesomely impactful if you're in a fevered state. (And oh, the dreams!)

A Dolan hater does a 180 on the French-Canadian wunderkind after seeing his audacious psychosexual thriller.

The sequel to Soderbergh's male stripper saga is all fireworks and dazzle. And that's nothing but a good thing.

This French crime procedural moves at a slower pace than super-charged modern action movies, but still fetishizes its setting, violence, and drug use.

A master provocateur, whose work revolves around porn, camp and gore, creates shock value in his new film... by not featuring any hardcore sex.

The latest film from one of indie cinema's most vital directors is not, in fact, his film at all. And that's the problem.

Remember your creepy Uncle David from Canada? He was respectable for a bit, but now he's back with the best horror movie he's made since the '90s.

The iconoclastic director's "newest, hottest joint" was crowdfunded on Kickstarter but sourced from a '70s cult classic. Will the backers be happy?

The French fashion designer's first foray into filmmaking prompts a discussion about form, content and cinematic conformity.

When the creative team behind the movie that made you want to be a director reunites 20 years on, how high should your expectations be?

A lover of all things wintry and festive — not to mention a devoted cinephile — identifies the qualities that make us connect to holiday movies.