Skip to Content
Talkhouse home
Talkhouse home
Film

You Can Take a Nap, I Promise

Screenwriter Nakia Stephens reflects on how she’s learning to release the shackles of productivity by leaning into purpose.

10:00 AM EDT on October 12, 2020

Deep self-evaluation and reflection has become a more consistent hobby during this perpetual plot twist we call 2020. With just one scroll on social media, we’ll find a plethora of humans across the nation using their newfound time to do interesting things, from finally perfecting their guacamole recipe to reinventing their entire external identities.

Then, there’s me – a screenwriter, a filmmaker, a serial executor, someone who is used to dreaming and then doing – suddenly stuck, idle. I tried to keep myself busy; I wrote poetry, I painted, I taught myself ASL and I even bought some new skates. But something was eating away at my soul.

It was guilt.

I felt guilty for doing things that gave me personal joy but not professional results. Shouldn’t I be writing another script? Shouldn’t I really be filming my latest short? It was hard for me to wrap my mind around the idea of “free time.” But after loads of journaling and a few deep dives into some pretty scholarly Twitter threads, I’d finally been able to recognize (and admit) that I attached a lot of my self-worth to how productive I was.

Nakia Stephens, hard at work.

How did I get here?

I scanned my memory to see if I could pinpoint the exact moment of equating the two. At first, I drew a blank but eventually I remembered this phrase: “As opposed to what?”

Aha! I got it. I remember now.

“As opposed to what?” is the response I received from my father when I joyfully approached him with my perfect report card. I had worked harder than everyone in my 6th grade class. I was my teacher’s favorite. I always submitted my homework on time, I went above and beyond on class projects, I even volunteered after school, to seal the deal. You would think straight As would make any parent proud, but my father stared blankly at me.

“As opposed to what?” he repeated again, but slower. I guess he wanted me to truly grasp his words. My once bright eyes and big metal smile faded into a pool of confusion. I didn’t know if the question was rhetorical or not, because he just stared at me, eyebrows high, waiting for me to speak. I hesitated a bit because I wasn’t quite sure what the word “opposed” meant, but I was pretty good at using context clues so I figured my best response would be, “As opposed to failing and getting bad grades?” He quickly rebutted, “Was failure an option?” I kept a poker face as I internally analyzed why the hell I was getting a lecture.

Nakia Stephens in 4th grade, with her trophy collection.

I had straight As, for crying out loud! Why was he asking me this? What kind of philosophical bullshit was he trying to prove? Just increase my allowance and tell me I did a good job – is that so hard? I snapped out of my own thoughts and simply said, “No.”

My mother arrived at my father’s house shortly after that awkward showdown. I got in the car with an unusual stillness and I remember my mother asking me, “What’s wrong?” I handed her my report card. “Nothing. I got all As.”

She, of course, was elated.

My unimpressed father was a stark contrast to my mother, a woman who praised everything. Glitter-infested finger painting? She’d plaster it on the fridge like a goddamned Basquiat. A short poem about my melodramatic 6th-grade love life? Suddenly, I was Maya Angelou.

But that whole car ride I kept replaying that question in my head: “As opposed to what?”

Though his approach lacked eloquence and tact, I took my father’s words as a lesson in pursuing excellence for the sake of excellence and not just to be rewarded. Yet, on the other side of the coin, his unimpressed sentiment coupled with my mother's overzealous applause, was also the start of my dissatisfaction with achievement and my indifference towards praise. Yes, I had an early standard for excellence, but I had no metric system in which to measure “good enough,” thus nothing ever seemed to be. So I worked harder and harder.

Nakia Stephens (second right) on set.

More scripts, more films, more interviews, more, more, more.

But now, almost two decades and a pandemic later, I am forced to stop and breathe. I am now able to reflect and accept that though being productive can be empowering, my internal sense of self-worth is far more important than checking off items on my never-ending to-do list.

I can finally affirm that I am valuable and worthy, whether I’m being productive or not. I am learning to release the shackles of productivity by leaning more into my purpose.

Purpose has no deadline. Purpose is our North Star, it is the direct connection to our Why. Whether we choose to work tirelessly on a project or take a break to paint in the park, our Why should remain the same.

In all transparency, I still do get a sparkly feeling when I’m able to work hard at something, but the difference is, I now understand that living a happy, harmonious life where I can work as hard as I play is honestly the cheat code to success.

So yes, continue to optimize your time to complete your goals and by all means keep manifesting that vision board, but if you’re tired ... you can take a nap, I promise.

Stay in touch

Sign up for our free newsletter

Related Stories

How Erotic Cinema Set Me Free

Corrin Evans, whose feature directorial debut, Corpus, premieres at Fantasia this weekend, on swapping religion for cinematic sensuality.

July 24, 2026

The Numb Stage of Nymphomania

Writer-director Georgia Bernstein on hypersexualization, classic erotic thrillers, In the Mood for Love and her debut feature, Night Nurse.

July 22, 2026

Nobody’s Ever Asked Me That: Abel Ferrara

The legendary writer-director opens up about everything from Buddhism and bad acid trips to social media addiction and sobriety.

The Stories We Invent Before We Have Language

Rhythm is a Dancer’s writer-director-star Lauren Caster on donor conception, language and a lifelong search for belonging.

July 17, 2026

What I Learned Directing My First Franchise Film

Kimmy Gatewood on how she thought big and gained expertise on the fly while helming her new movie, Descendants: Wicked Wonderland.

July 16, 2026

On Being Fired

Actor and singer Alicia Witt, whose David Lynch-inspired album Between Heaven and Earth is now on preorder, shares a universal experience.

July 13, 2026