Ahead of the film's 21st anniversary, actor, director and video essayist Kentucker Audley looks at one of the major movie achievements of the 1990s.

Video Essay: Powder, Outside Appearance

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Actor and singer-songwriter’s Alicia Witt’s forthcoming album <a href="https://30tgrs.ffm.to/betweenheavenandearth" target="_blank" rel="noopener">Between Heaven and Earth</a>, is out August 28 via Thirty Tigers. Produced by Joe Henry, the album was inspired by filmmaker David Lynch, whose four-decade friendship and creative relationship with Witt shaped its exploration of love, intuition, fate, grief and the unseen connections that bind people across time. The second single from the album, &#8220;Freeze Frame,&#8221; is out now. Witt has been acting since the age of seven, when she made her film debut in David Lynch’s sci fi classic Dune. Her many screen credits include Showtime’s third season of David Lynch’s Twin Peaks and films such as Two Weeks’ Notice, Last Holiday, The Upside of Anger, Mr. Holland’s Opus, Urban Legend, Four Rooms, 88 Minutes, Urban Legend and Vanilla Sky. Long celebrated for her work as both an actor and musician, Witt has released multiple acclaimed albums, performed around the world – including at Nashville&#8217;s Grand Ole Opry – and opened for Ben Folds Five, Rachel Platten, Bob Schneider, Jimmy Webb, and John Fulbright. A classically trained pianist, her music has been described as “sharply personal, boldly melodic pop originals” by the Philadelphia Inquirer, while Broadway World praised her “rangy, honeyed voice, clear as crystal, pretty as a stained-glass window,” calling her “a voice to treasure.” Witt also spent five weeks on Billboard&#8217;s Top 30 Adult Contemporary chart with the 2021 piano power ballad &#8220;Chasing Shadows,&#8221; from her self-co-produced album The Conduit. (Photo by David McClister.)

Alicia Witt

Film

On Being Fired

Zachary Ray Sherman is an actor, director, writer, and producer from Portland, Oregon, whose new film <a href="https://tubitv.com/movies/100022519/all-that-fall" target="_blank" rel="noopener">All That Fall</a> is now streaming. After early success opposite Kirsten Dunst in Lifetime’s Fifteen and Pregnant, and as Jasper on the CW’s reboot of 90210, Sherman has gone on to build an impressive acting resume balancing television work (Netflix’s Everything Sucks!) with edgy roles in independent films (Archie’s Final Project, West Virginia Stories, Cuck). Sherman has also directed three feature films to date: Particular Crowd and Mar Vista’s upcoming Do You Hear What I Hear, the award-winning indie All That Fall and HBO’s Young Hearts, a sweet and touching coming-of-age film executive-produced by the Duplass brothers. He will soon be seen in the indie dramas The Send-Off, produced by Glenn Howerton, and Can’t Seem to Make You Mine, opposite Lindsay Burdge, and is currently starring in Hulu’s Under the Banner of Heaven starring Andrew Garfield, created by Dustin Lance Black from the book of the same name by Jon Krakauer, and executive-produced by Jason Bateman and Brian Grazer. (Photo by David Zaugh.)

Zachary Ray Sherman

When Art Finally Catches Up to You

Anthony Frith is a writer and director with a love for absurd pop-culture anomalies. His work has taken him to Boston, where he studied the art of churning out novelty songs with cult musician Matt Farley in Lessons From A Middle Class Artist; to Burbank, where he made his feature debut directing a trashy dinosaur movie for the legendary studio the Asylum in <a href="https://www.mockbustermovie.com/" target="_blank" rel="noopener">Mockbuster</a>, which is in theaters from July 10 through Giant Pictures. You can usually find Anthony deep in the rabbit holes of internet folklore, always on the hunt for strange stories from the fringes of pop culture.

Anthony Frith

What I Learned Making The Land That Time Forgot (and Mockbuster!) in Six Days

Advik Beni is a South African filmmaker and curator currently based in Los Angeles whose new film, mother, you have not died yet. but you will. and when you do, you will finally be alive again, world premieres on July 9 at <a href="https://fidmarseille.org/en/festivals/festival-37/films/mother-you-have-not-died-yet-but-you-will-and-when-you-do-you-will-finally-be-alive-again" target="_blank" rel="noopener">FIDMarseille</a>. Through a practice steeped in South African traditions of orality, their work aims to create imagined spaces for marginalized people to express grief and trauma. They are interested in how these non-hierarchical, hybrid models of filmmaking can encourage a collective mutability amongst rhizomatic pathways – that may lead to an actuality of positive impact on communities; whilst preserving a cultural tradition eclipsed by Western modes of storytelling. Advik is focused on how we can witness each other’s existence, and all that entails, in an attempt to facilitate a tangibility of cross-border solidarity that prioritizes care. Their work has been supported by San Sebastián International Film Festival, Sundance, Prismatic Ground, New Orleans Film Festival, Flaherty Film Seminar, Points North Institute and the Edinburgh International Film Festival amongst others.

Advik Beni

The Things We Carry Home

Nick Dawson talks with filmmakers, musicians and comedians whose work he loves, avoiding the mundane, predictable questions they&#8217;ve heard numerous times and instead asking substantive, thoughtful questions that get to the heart of who they are.

Nobody’s Ever Asked Me That

Podcast

Nobody’s Ever Asked Me That: Desiree Akhavan

Sasha Waters is director, producer and editor of the new documentary <a href="https://kinolorber.com/film/mary-oliver-saved-by-the-beauty-of-the-world" target="_blank" rel="noopener">Mary Oliver: Saved by the Beauty of the World</a>, which opens through Kino Lorber on July 3, and the 2018 doc Garry Winogrand: All Things are Photographable, which was released theatrically by Greenwich Entertainment. Born in Brooklyn in 1968, Sasha makes non-fiction films about outsiders, misfits and everyday radicals. Trained in photography and the documentary tradition, she fuses original and found footage in 16mm film and video. Past projects have screened at the Telluride Film Festival, the Film Society of Lincoln Center, the Rotterdam, Tribeca, the Museum of the Moving Image in New York and the Pacific Film Archive, as well as on the Sundance Channel and international cable and public television. She is the Chair of the Department of Photography + Film at Virginia Commonwealth University, the #1 public college of art in the U.S. (Image by Steven Cassanova for VCUarts.)

Sasha Waters Freyer

Searching for That Missing Element

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Talkhouse

Joshua Bailey is a documentary filmmaker whose latest film, Stolen Kingdom, delves into the history of mischief, scandal, and theft at Walt Disney World

Joshua Bailey

Brendan Canty is a musician and filmmaker.  He was originally a member of Fugazi and his current band Deathfix can be found <a href="http://www.deathfix.com/">here</a>.  His film production company Trixie can be found <a href="http://www.trixiefilm.com/">here</a>.

Brendan Canty

Music

Joshua Bailey and Brendan Canty on the Punk Origins of Stolen Kingdom

806: Lydia Pang Argues “Stinky” Is a Great Thing

*Q&A and 7th Season Announcement*

969. – Chris & Jason

Finding Dory with Zach Cherry

Kentucker Audley is a filmmaker, film programmer, actor and (former) Movies hat salesman. His debut album, <a href="https://kentuckeraudley.bandcamp.com/album/old-amateur" target="_blank" rel="noopener">Old Amateur</a>, is now out. His latest film, Strawberry Mansion (co-directed with Albert Birney), premiered at Sundance 2021. His previous directorial effort, Sylvio (also co-directed with Albert Birney), debuted at SXSW and was named one of the Best 10 Movies of the Year by The New Yorker. As an actor, he&#8217;s starred in indie films such as Christmas, Again and Sun Don&#8217;t Shine. He also founded <a href="http://nobudge.com/" target="_blank" rel="noopener">NoBudge</a> and <a href="https://www.moviesbrand.com/" target="_blank" rel="noopener">Movies Brand</a>.

Kentucker Audley

post

Nobody’s Ever Asked Me That: John Early