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The Way We Get By: Lightning Bug’s Audrey Kang Found Pina Universally Moving

The frontwoman talks Wim Wenders’s modern dance doc.

9:00 AM EDT on April 7, 2020

I picked a film called Pina; it’s a documentary by Wim Wenders about Pina Bausch, a German choreographer who really influenced modern dance in the ‘70s. I think the movie is an escape, but it’s a very human escape, if that makes sense. It sort of zooms in on human expression in the form of dance. But it’s not just dance — it’s also human emotion, and just self-expression in general. It’s been really comforting, and really inspiring to me. 

I’ve been familiar with her work, but I didn’t know about the documentary until recently. Now that we’re all unable to go to shows and see performances — it basically just shows you her performances with minimal interruptions, rather than interview after interview or information in a dry way. You basically have a front seat to her performances in a way that you can experience from your own home. 

I think modern dance can be a bit unapproachable to people. It’s not something everyone thinks they can love or appreciate, but this is presented in a way that I think is universally moving. Anyone can relate to it because of the way it’s shown, and the choreography itself. I am a dancer, so I guess that gives me a different perspective, but I think anyone can appreciate it! 

The coronavirus has hit many people financially, and it’s been especially tough on musicians who rely on touring to support themselves. If you’re able and inclined, check out Lightning Bug’s Bandcamp and order a T-shirt, some vinyl, or whatever they’ve got on offer. Every little bit helps.

(Photo Credit: left, Tonje Thilesen)

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