Skip to Content
Talkhouse home
Talkhouse home
Film

The Way Forward: James D’Arcy Didn’t Finish His Pandemic Movie, But is Now Back Shooting in Rome

The writer-director of Made in Italy, out now in theaters and on digital, on life during and after lockdown.

10:00 AM EDT on August 10, 2020

My experience of the pandemic was spending time quietly at home, just trying to take it a day at a time. I was in the very fortunate position where I wasn’t panicking about where the next meal was coming from, and for that I was incredibly grateful.

In terms of my new film, Made in Italy, I genuinely hope that it can bring a little bit of lightness, joy and hope into people's lives in a moment when I think globally we just desperately need those things. We've been bashed over the head with appalling news, to the point where the Australian bushfires – which were what we started the year with – have been completely forgotten. 2020 has just been shocking from start to finish. If this film can provide a little levity even for a small group of people, that would be wonderful, because my experience in London during the pandemic was that there was, in fact, a great deal of community spirit. I saw people engage with each other in ways that they hadn't done previously. And that's really what Made in Italy is about: connecting and reconnecting. I hope that we can tap into a moment where actually this is what the world needs.

Made in Italy is not my life story in any way, but my father died when I was very young and this film is my fantasy love letter to what my relationship with my father could have been like. I wanted to imagine what it would have been like for us to talk to each other. I made the film with some humor so that audiences could feel safe going into this difficult emotional place. If it inspires even one person to phone a parent, or phone a child, so they can reconnect, then that's the greatest compliment the film could ever get.

In the past few months, my biggest creative accomplishment is that I went through all the film footage I have of my nephews and nieces and cut it together into a little short film. It worked out really well, but it is by far the most creative thing I've done. I had an idea for a film that one could shoot in lockdown, but to be honest with you, I found it very difficult to concentrate for long periods of time during the lockdown. So that script did not get written. At the start, I thought, “This is amazing, I’ve got all the time in the world – I'll have three drafts done by the time the lockdown is over!” but actually I'm still at the treatment stage …

At the moment, I am actually in Rome on a film set, as I'm making a miniseries which we started shooting before lockdown. We were among the first to shut up shop, because Italy was hit so hard early on, but we're also among the first productions to get back to work.

One of the things that I definitely learned from the lockdown is that people want entertainment. So I feel very confident in the long term that, one way or another, the industry will survive, because since time immemorial, people have told each other stories. In the short term, I don't know. All I know is, human beings by nature want to be together, so eventually that will happen. We will reconvene. The film industry is, at its heart, incredibly noble and does humankind a great service, so I have every confidence that we will continue making films and television programs, to entertain people and help them to be moved and excited and afraid and amused. Because those are basic human needs.

Stay in touch

Sign up for our free newsletter

Related Stories

Three Great Things: Jay Baruchel

The fan favorite actor, whose new film The Stunt Driver opens today, on his love of hamburgers, solo reading time and movie nights with his wife.

September 25, 2026

Fast Forward

Writer-director Louis Paxton charts the stepping stones from childhood onward that led him to make his Sundance favorite The Incomer, which hits theaters today.

September 25, 2026

How I Became The Scout

The writer-director of The Scout on her autobiographical experiences as a location scout that inspired the film.

September 24, 2026

What I’ve Learned From Reading All of Stephen King

On the occasion of Stephen King's 79th birthday, filmmaker Julia Marchese ponders what she has gained from devouring his entire body of work.

September 20, 2026

The Little Train That Finally Came Home

The remarkable 40-year story of how Adam Rifkin finally brought to the screen his mother's Western, Last Train to Fortune, which is out now.

September 18, 2026

Chemical Come-down and August in the Water

Writer-director Avalon Fast, newly named one of the "25 New Faces of Independent Film," shares a personal story about the 1995 Japanese supernatural drama.

September 16, 2026