the Oscars
The Other F-Word
Documentary filmmaker Patrick Forbes on the central role that fear has played in shaping his work over the years.
re: dress: Here’s Why Mad Max’s Costume Designer Is Basically Rihanna
Meredith Graves waxes poetic on why the mall beats the Oscars’ red carpet.
Despite My Recent Emergency Appendectomy, I’m Live-Tweeting the Oscars for the Talkhouse
Writer-director Jonathan Lisecki will be sharing his unfiltered thoughts on the monochromatic awards show from his "death couch."
Julia Pott is Going to the Oscars and Her Mother Has Been Giving Her Lots of Advice
Maternal wisdom on such sartorial style subjects as sweaters, cool backpacks and dresses designed to cover up aging arms.
The New Movie Gangsters, The Big Short and the Pseudo-Sequel Adam McKay Should Make
Director Adam Bhala Lough on his namesake McKay's Wall Street comedy drama, a surprise 2015 Oscar contender.
“Spotlight Left Me Heady with Love of What Great Movies Can Do”
Richard Shepard, writer-director of 'The Matador,' shares his appreciation for Tom McCarthy's Oscar frontrunner.
"I Thought I’d Given Michael Fassbender a Hard Time on Centurion": Neil Marshall on The Revenant
For the British director, watching Alejandro G. Iñárritu's wilderness epic brings back visceral memories of his own filmmaking experiences.
Jim Hemphill (The Trouble with the Truth) Talks Wim Wenders’ The End of Violence
A film that was a critical and financial disappointment two decades ago now appears a startlingly prescient commentary on the U.S and Hollywood.
Yung Chang (Up the Yangtze) Talks Taking His Mother to the Oscars
The Final Oscar Word from Mamarazza Chang or (An Academy Member’s Mother’s Unexpected Virtue of Ignorance).
Talkhouse Film Contributors Talk the 2015 Academy Award-Nominated Films
An overview of the films in contention at the Academy Awards this weekend, courtesy of Talkhouse Film's brain trust.
James Marsh (The Theory of Everything) Talks John Maloof and Charlie Siskel’s Finding Vivian Maier
The director of an Oscar-winning documentary shares his thoughts on one of this year's non-fiction contenders.
Brea Grant (Best Friends Forever) Talks Richard Glatzer and Wash Westmoreland’s Still Alice
A deeply personal look at this moving portrait of an Alzheimer's patient featuring an Oscar-nominated performance from Julianne Moore.











