Or how filmmaker Onur Tukel pushed back against the impending singularity by adapting his lycanthrope screenplay Run Werewolf Run into a novel.
Lovell Holder, the writer-director of Lavender Men and producer of The Surrender, on the pleasures of being (accidentally) bicoastal.
Writer-director Hala Matar on the beautiful, unexpected and slightly chaotic genesis of her debut feature, Electra, which is in theaters now.
Writer-director Joshua Erkman on creating an entire body of work for the central character in his new movie, A Desert, which opens tomorrow.
Creative collaborators Ryan J. Sloan and Ariella Mastroianni pull back the curtain on their Cannes hit, which is now in theaters.
Actor Tom Bateman, who made his screenwriting debut with the new thriller Magpie, traces back his long relationship with storytelling.
Pascal Plante on plumbing the depths with his psychological thriller Red Rooms (which opens in theaters today), and living to tell the tale.
Actor-writer-director Jake Allyn shares the emotional journey of making his new movie, which is now in theaters and on demand.
Actor-writer Byron Mann on the remarkable sequence of events that led to him being able to make his new movie, which is out now in theaters.
The Angry Black Girl and Her Monster writer-director Bomani J. Story on how he first encountered great writing through hip-hop lyricism.