Or a few impolite thoughts on The Young Karl Marx, by the director of that film and I Am Not Your Negro.
Katherine Dieckmann explains how Strange Weather's simple truths feel radical in the current disturbing political climate.
Stephen Winter channels Jonathan Swift as he responds to controversy surrounding [name redacted]'s painting of Emmett Till.
Meredith Graves waxes poetic on why the mall beats the Oscars’ red carpet.
In which the author fulfills his responsibility to respond to the film by combining well-reasoned observations with an extended ice cream metaphor.
A filmmaker writes about Emmerich's much-derided historical drama both before and after watching it.
