Trump's incompetence hasn't kept him from enacting hateful immigration enforcement policies.
Katherine Dieckmann explains how Strange Weather's simple truths feel radical in the current disturbing political climate.
Discussions with artists about insurance, the Affordable Care Act, and the proposed Republican plan’s potential impact on their lives and work.
At a time when U.S. politics is beyond satire, Matthew Wilder finds a resonant parallel in the unbridled weirdness of Lynch's seminal TV show.
"America ain’t, nor has it ever been, white," and other reasons to fight.
"In this bossy new column for Talkhouse, I will bestow many instructions for how to proceed in the face of crushing disappointment."
The Seattle-based writer-director fights her post-election malaise by watching everything from A Face in the Crowd to Falling Down.
Andrew Matthews, a newly politicized filmmaker based in Austin, Texas, explains how his background prepped him for the new resistance movement.
Tommy O'Haver, director of The Most Hated Woman in America, makes his passionate pitch for who should be the next POTUS.