Paul Schrader
Mood Board: Paycheque’s Paycheque
The LA duo on how Paul Schrader, a pair of Mercedes Benzes, Britpop, and more inspired their new record.
Watching Sátántangó at the End of the World
Filmmaker Jesse Noah Klein on the very particular, resonant experience of seeing Béla Tarr's seven-hour-plus masterpiece during a global pandemic.
Revisited: How First Reformed’s Success Actually Points to a Dark Future for Independent Film
Her Smell’s writer-director breaks down the stark reality that film distribution today is an inequitable system that excludes almost everyone.
How First Reformed’s Success Actually Points to a Dark Future for Independent Film
Her Smell’s writer-director breaks down the stark reality that film distribution today is an inequitable system that excludes almost everyone.
Best of 2018: Karyn Kusama (Destroyer) Talks Paul Schrader’s First Reformed and Debra Granik’s Leave No Trace
The director of Destroyer singles out two films that made a particularly profound impression on her over the past year.
Bruce LaBruce’s Academy of the Underrated: Moment by Moment
A bomb on its release, this John Travolta-Lily Tomlin camp feminist melodrama can be mined deeply for covert clues about its two stars' sexuality.
Why Paul Schrader Is Wrong and Hardcore Is, in Fact, a Major Movie
Jim Hemphill makes the case that, despite what Schrader himself may say, one of the director's most personal films is also one of his best.
