Elisabeth Subrin
A Set of One’s Own: Female Filmmakers on Takeaways from the Post-Weinstein Moment
Jennifer Reeder and a group of her cinematic peers share where their audacity comes from, and the path forward to a better filmmaking future.
Who Cares About Films About Actresses?
A Woman, A Part director Elisabeth Subrin on her quest to solve the riddle of why she chose an actress as the subject of her debut feature.
