Filmmaker Rachel Wolther tries to answer some vital questions, including why she directed the new play Eelpout, which runs this week in NYC.
Plan 75 writer-director Chie Hayakawa on her very indirect route to becoming a filmmaker.
Director Mark Pellington on how his latest feature, an experimental dance film, helped him express his ongoing sense of loss as never before.
The acclaimed French auteur, whose new movie, Winter Boy, comes out next month, opens up about his favorite things.
Writer-director Eromose on how the murder of Tamir Rice ultimately led to him making his new political drama-thriller 88.
Paul Taylor premieres his latest short film and explains how parenthood allowed him to rediscover a sense of simplicity and play in his work.
Swallowed director Carter Smith on how his unusual career path (kind of) allowed him to make a second debut film.
For director Justin Zuckerman, making new his movie Yelling Fire in an Empty Theater was not about advancing his career.
Zia Mohajerjasbi’s stream-of-consciousness take on one of the more unexpected personal meanings of the title of his new film, Know Your Place.
Writer-director-actor Celyn Jones looks back on the filming of a pivotal scene in his debut feature, The Almond and the Seahorse.
