Actress turned writer Mara Wilson explains the special resonance that Julie Gavras' cinematic portrait of childhood has for her.
The director of 78/52 on the movie moments seared themselves onto his memory, and why the Psycho shower scene is not one of them.
Ana Asensio, writer-director-star of SXSW winner Most Beautiful Island, on the roots of her love of film and its magical ability to connect.
A defiant Coheed fan loves the band’s fantastical past, but their blatantly personal new album about the pressures of adulthood is a banger.
As his first feature comes out, a filmmaker looks back on what he learned from the iconoclast director.
How Martin Brest's misunderstood masterpiece helped a goofball teenager find love, and his identity.
Sometimes growing up in a filmmaking family means sleeping on the editing room floor, or discovering classic movies before you hit double digits.
I started having trouble on the bus when I was six years old. I was a little nerd who couldn’t keep my mouth shut. I would lip off to boys twice my...
