The Hollywood screenwriter chats with the couple about their new movie, its retro roots, acting as a director, and much more.

Screenwriter Larry Karaszewski (Big Eyes) Talks with Lawrence Michael Levine and Sophia Takal (Wild Canaries) for The Talkhouse Film Podcast

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Zachary Ray Sherman is an actor, director, writer, and producer from Portland, Oregon, whose new film <a href="https://tubitv.com/movies/100022519/all-that-fall" target="_blank" rel="noopener">All That Fall</a> is now streaming. After early success opposite Kirsten Dunst in Lifetime’s Fifteen and Pregnant, and as Jasper on the CW’s reboot of 90210, Sherman has gone on to build an impressive acting resume balancing television work (Netflix’s Everything Sucks!) with edgy roles in independent films (Archie’s Final Project, West Virginia Stories, Cuck). Sherman has also directed three feature films to date: Particular Crowd and Mar Vista’s upcoming Do You Hear What I Hear, the award-winning indie All That Fall and HBO’s Young Hearts, a sweet and touching coming-of-age film executive-produced by the Duplass brothers. He will soon be seen in the indie dramas The Send-Off, produced by Glenn Howerton, and Can’t Seem to Make You Mine, opposite Lindsay Burdge, and is currently starring in Hulu’s Under the Banner of Heaven starring Andrew Garfield, created by Dustin Lance Black from the book of the same name by Jon Krakauer, and executive-produced by Jason Bateman and Brian Grazer. (Photo by David Zaugh.)

Zachary Ray Sherman

Film

When Art Finally Catches Up to You

Anthony Frith is a writer and director with a love for absurd pop-culture anomalies. His work has taken him to Boston, where he studied the art of churning out novelty songs with cult musician Matt Farley in Lessons From A Middle Class Artist; to Burbank, where he made his feature debut directing a trashy dinosaur movie for the legendary studio the Asylum in <a href="https://www.mockbustermovie.com/" target="_blank" rel="noopener">Mockbuster</a>, which is in theaters from July 10 through Giant Pictures. You can usually find Anthony deep in the rabbit holes of internet folklore, always on the hunt for strange stories from the fringes of pop culture.

Anthony Frith

What I Learned Making The Land That Time Forgot (and Mockbuster!) in Six Days

Advik Beni is a South African filmmaker and curator currently based in Los Angeles whose new film, mother, you have not died yet. but you will. and when you do, you will finally be alive again, world premieres on July 9 at <a href="https://fidmarseille.org/en/festivals/festival-37/films/mother-you-have-not-died-yet-but-you-will-and-when-you-do-you-will-finally-be-alive-again" target="_blank" rel="noopener">FIDMarseille</a>. Through a practice steeped in South African traditions of orality, their work aims to create imagined spaces for marginalized people to express grief and trauma. They are interested in how these non-hierarchical, hybrid models of filmmaking can encourage a collective mutability amongst rhizomatic pathways – that may lead to an actuality of positive impact on communities; whilst preserving a cultural tradition eclipsed by Western modes of storytelling. Advik is focused on how we can witness each other’s existence, and all that entails, in an attempt to facilitate a tangibility of cross-border solidarity that prioritizes care. Their work has been supported by San Sebastián International Film Festival, Sundance, Prismatic Ground, New Orleans Film Festival, Flaherty Film Seminar, Points North Institute and the Edinburgh International Film Festival amongst others.

Advik Beni

The Things We Carry Home

Nick Dawson talks with filmmakers, musicians and comedians whose work he loves, avoiding the mundane, predictable questions they&#8217;ve heard numerous times and instead asking substantive, thoughtful questions that get to the heart of who they are.

Nobody’s Ever Asked Me That

Podcast

Nobody’s Ever Asked Me That: Desiree Akhavan

Sasha Waters is director, producer and editor of the new documentary <a href="https://kinolorber.com/film/mary-oliver-saved-by-the-beauty-of-the-world" target="_blank" rel="noopener">Mary Oliver: Saved by the Beauty of the World</a>, which opens through Kino Lorber on July 3, and the 2018 doc Garry Winogrand: All Things are Photographable, which was released theatrically by Greenwich Entertainment. Born in Brooklyn in 1968, Sasha makes non-fiction films about outsiders, misfits and everyday radicals. Trained in photography and the documentary tradition, she fuses original and found footage in 16mm film and video. Past projects have screened at the Telluride Film Festival, the Film Society of Lincoln Center, the Rotterdam, Tribeca, the Museum of the Moving Image in New York and the Pacific Film Archive, as well as on the Sundance Channel and international cable and public television. She is the Chair of the Department of Photography + Film at Virginia Commonwealth University, the #1 public college of art in the U.S. (Image by Steven Cassanova for VCUarts.)

Sasha Waters Freyer

Searching for That Missing Element

Nobody’s Ever Asked Me That: John Early

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Talkhouse

For 15 years, Matthew S led Illegal Art while shrouded in secrecy. During its run from 1998 to 2012, Illegal Art was more than just a record label — it dismantled preconceived notions of originality in music, what was “allowed” in the industry. Then, we only knew Matthew through a series of pseudonyms, most commonly Philo T. Farnsworth. Now, with the reboot of Illegal Art, Matthew is pulling back the curtain, kickstarting a new chapter for the label while launching a deeply personal project of his own, Myth Math. 
Myth Math’s Tongues is out now on Illegal Art. 
(Photo Credit: Valentin Son)

Myth Math

Music

Talkhouse Weekend Playlist: A Sampling of the Illegal Art Archive

Slowspin is the moniker of Pakistan-raised, New York-based sound artist Zeerak Ahmed. Her work is grounded in North Indian classical and matrilineal vocal traditions, expanded through dream-folk, ambient, experimental, electronic, devotional song, and psychedelic sound practices. Poetry and melodies in her mother tongues — Urdu, Purbi and English — form new textural soundscapes for love, loss, and longing. 
Her upcoming album, Afterimage, will be out August 7, 2026.

Slowspin

Introducing: Slowspin’s “Phantom Weight”

Born At Midnite is the Montreal-based duo of Amery Sandford and David Carriere (TOPS, Marci). Their record Eternal BAM Nation is out now on Arbutus Records. 
(Photo Credit: Sasha Khalimonova)

Born At Midnite

Mood Board: Born At Midnite’s Eternal BAM Nation

804: Toby Maloney Made Half a Million Cocktails. Emma Janzen Was Taking Notes.

968. – Derek Blasberg

Larry Karaszewski with his writing/directing/producing partner Scott Alexander won the Best Screenplay Golden Globe for The People vs. Larry Flynt and was nominated by the Writers Guild of America for the cult favorite Ed Wood. Other credits include writing the Milos Forman film Man on the Moon, adapting the Stephen King story 1408, producing Paul Schrader&#8217;s Auto Focus, and writing/producing the Tim Burton feature Big Eyes for which they received an Independent Spirit Best Screenplay nomination.

Larry Karaszewski

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Malin Barr is a Swedish director, writer, and actor working between Los Angeles and Stockholm. Her directorial debut, the short film <a href="https://www.malinbarr.com/work" target="_blank" rel="noopener">Sauna Sickness</a>, premiered in competition at Sundance Film Festival 2026, where it was nominated for the Grand Jury Prize. A darkly comedic psychological drama-thriller that explores self-doubt, manipulative love, and self-preservation, it follows a young woman whose romantic New Year’s getaway with her boyfriend in the mountains turns into an icy nightmare when they accidentally lock themselves out in the cold. As an actor, her recent credits include the Netflix series Bad Thoughts and the upcoming feature El Tigre, and her previous work includes Honeydew, starring opposite Sawyer Spielberg, as well as The Beta Test and A Wounded Fawn. Malin is bilingual in Swedish and English, and also speaks French.