In the late 60’s new advances in recording technology collided up against the rise of the flower children and a new genre of insincere bohemian music was pushed into the wake of a new youth market. Some of it was QUITE GOOD as a few very genuine artists got mixed up into this relatively hollow campaign that tried its best to commodify dissent. These songs can be judged as peripheral artifacts or beautiful time capsules that say more than they might’ve meant to say between the lines.
Our next episode will be the new beginning of another 6 month season of Drifter’s Sympathy…⚡ Thanks for listening and check out Emil’s brand new record produced by John Agnello (Sonic Youth, Dinosaur Jr.) :
http://shop.partisanrecords.com/products/holy-sons-in-the-garden
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