Skip to Content
Talkhouse home
Talkhouse home
Music

Best of 2018: Lola Kirke’s Favorite Album of 2018 is Cornelia Murr’s Lake Tear of the Clouds

Plus, a shout out to Courtney Marie Andrews’ May Your Kindness Remain

11:00 AM EST on December 5, 2018

In place of a more traditional year-end best-of list, Talkhouse has asked some of our favorite artists to choose their favorite album of 2018 and tell us all about it.
—The Talkhouse Team

One of my most favorite albums that came out this year is Cornelia Murr’s Lake Tear of the Clouds. I’d been hearing it in all of its stages since I met Cornelia—she’s a really good friend of mine. When I met her, she came to one of my concerts years ago when I was in an all-girl country band. We were playing in some bar in a really small town, and she was in the way back. She secretly told me she played music too, and we started becoming music pen pals. It’s so exciting to hear songs go from, like, GarageBand iPhone demos to these magnificent compositions.

“You Got Me,” which I always call the “punch at the party song” is an old favorite. “I wanna know, how are you so steady?/Oh, right, you never drink the punch at anybody’s party,” is such a great lyric. For whatever reason, the song always makes me see a white stallion running in slow motion—but it’s, like, crying at the same time. “Cicada” is pretty extraordinary too. It sounds like having sex outside in summer woods.

Cornelia has such a classically beautiful voice and really carries on the tradition of folk music so perfectly, but I think that the production and the soundscape of the record really separates it from the things that it’s inspired by. The whole records kind of sounds like it’s coming from Atlantis underwater, and traveling up in a bubble to the surface.

Courtney Marie Andrews also put out an album this year, May Your Kindness Remain, and there’s a song on it called “I’ve Hurt Worse.” That kills me. I love country music, and I particularly love the country stars of yore— Loretta Lynn, and I guess even Emmylou Harris could fit into that category as well. Courtney has a classic quality that I’m excited and refreshed to hear. I feel like her contribution to 2018 is that she’s reviving this genre-within-the-genre of country music; Kacey Musgraves does a similar thing for me, but I think Courtney is working in reference to a more classic kind of country instead of updating it entirely. I just think her lyrics are so exciting and unpredictable, and yet very eloquent and smart.

As told to Annie Fell.

Stay in touch

Sign up for our free newsletter

Related Stories

Mood Board: Dent May’s The Big One

The LA songwriter on how Elephant 6, The X-Files, and more inspired his new record.

September 11, 2026

Jakob Nowell (Sublime) Talks with Yelawolf on the Talkhouse Podcast

"Dude, that shit is so genetic... You caught it!"

September 10, 2026

Sova and Chuck Johnson Have Everything They Need At Home

The collaborators talk work-life balance, analog recording, and the making of Alight!.

September 10, 2026

Role Models: Barbara Hammer Taught Taul Katz to Make More (and Let People See It)

The composer talks what they learned from scoring the documentary Barbara Forever.

September 9, 2026

Marisa Anderson and Alan Sparhawk Blew Bob Holmes’s Mind

Holmes catches up with the Across the Horizon Vol. 1 and Vol. 2 contributors.

Mood Board: Marci’s Mask Lady and Late Night Girl

Marta Cikojevic on how being a Gemini, French tip manicures, and more shaped her new record.

September 4, 2026