Skip to Content
Talkhouse home
Talkhouse home
Music

Julien Baker’s Favorite Lyrics of 2016 So Far Are…

Baker digs Justin Peter Kinkel-Schuster's monastic simplicity.

6:00 AM EDT on October 28, 2016

As the seasons change and the end of the year creeps near, we’ve asked our contributors to pick their favorite lyrics of 2016 — so far. 
— Brenna Ehrlich, Talkhouse Music Editor-in-Chief

“If I ever spent a night as dark as the one passed by Christ in the garden of Gethsemane/would I let my father crucify me or would I want to live selfishly?”
— Justin Peter Kinkel-Schuster, “The Dirt, The Bells & I,” Constant Stranger

Constant Stranger, 

The utilitarian sparseness of the album’s instrumentation is a stylistic match for Kinkel-Schuster’s poetry. Presented in the unassuming vehicle of few bare chords and starkly plucked guitar melodies, Constant Stranger´s lyrics present significant ideas so inconspicuously that they take you by surprise. Throughout the record, Kinkel-Schuster balances imagery of the fantastic with the bucolic, pairing a keen literary awareness with an unpretentious vocabulary that allows him to express the complex in accessible terms and explore abstract themes with illustrations from the familiar and common.

In “The Dirt, The Bells & I,” we are given a frank look into the divided mind of a speaker reconciling two competing natures, asking himself, “If I ever spent a night as dark as the one passed by Christ in the garden of Gethsemane/would I let my father crucify me or would I want to live selfishly?”

Kinkel-Schuster makes no effort to overdress the question or veil his thought in convoluted figurative speech, only offers the listener a straightforward ultimatum, a moral dilemma of character already relatable to most that is somehow made more human by the artist’s refusal to complicate his delivery. Here, the speaker employs the conversational, almost Twain-like dialect that gives Constant Stranger its uniquely perceptive quality. The uncomplicated vernacular allows Schuster to distill the loftiest concepts into two plain lines, and exhibits the minimalist poetic brilliance that characterizes the entire album.

“The Dirt, The Bells & I” perfectly communicates the most essential form of an immense quandary with the understated wisdom of a cloistered composer, echoing the same cosmic truths through a lilting drawl and achieving a similarly sacred, humble beauty.

Related Stories

Mood Board: Jess Williamson’s A Mile South of Heaven

The Texan singer-songwriter on how a Pam Houston short story collection, Shooter Jennings’s tarot deck, and more shaped her new record.

October 9, 2026

Emily A. Sprague and h. pruz Are Constructing Their Own Worlds

The artists talk the role of fantasy in their songwriting, the possibilities of ambient music, and more.

October 9, 2026

Amos Pitsch and Graham Hunt Get Serious

The artists talk “goofy” Wisconsin punk, their production ethos, and more.

October 8, 2026

In the Salon with Spike and The Tubs

Hannah McLoughlin chats with Owen Williams (while giving him a haircut).

October 6, 2026

Mood Board: Semiratruth’s S!M

The Brooklyn-based artist on how Silent Hill 2, Boards of Canada, Everything Everywhere All At Once, and more shaped their new record.

October 2, 2026

Pete Fij (Adorable) Talks with Mark Gardener (Ride) on the Talkhouse Podcast

"We did a press conference with Oasis, which was sort of humiliating."

October 1, 2026