Skip to Content
Talkhouse home
Talkhouse home
Music

Introducing: Tyler Pope’s “Why Must I”

The LCD Soundsystem bassist shares a new solo track.

In the hypnorhythm of my song "Why Must I," I was trying to craft an indie dance and disco fusion inspired in equal parts by The Neptunes and UK funky house. I approached that concept by combining live drums and percussion elements, like my band LCD Soundsystem does with contemporary structures and drum patterns of modern club music.

The inspiration to add the sample in “Why Must I" comes from my deep admiration for George Clinton and the song “Atomic Dog." The metaphor of the "dog in me" resonates with me, drawing a poignant parallel to my own battle with addiction. It's a subject that I've grappled with much in my past, and though I've been clean more or less for 13 years now, the theme of impulsive addiction will probably be addressed consciously or unconsciously any time I add vocals on a track.

Composed during the late spring of 2023 in my hometown of Berlin, "Why Must I" is more to me than just a groovy track for the club; it's a reflection of my life over the last fie years… A melancholic triumph, if you will. The accompanying music video, made by my good friend Nat Fowler (who makes amazing music as Novoline, and was in the ‘90s post hardcore band Oxxes), adds another layer to the narrative. It was shot in an atomic bunker outside of Berlin that looks as if it was abandoned in the middle of the night when the wall came down in 1989. And we aren’t talking just any old atomic bunker: it’s an underground, four story building and is completely suspended on springs! The video encapsulates the essence of the song's message with visuals that could be described by as a tribute to the Beastie Boys and Wes Anderson —  and it incorporates the stellar cartoon dogs from original “Atomic Dog” video to boot!

Stay in touch

Sign up for our free newsletter

More from Music

Explore Music

Mood Board: Criteria’s SEIZE!

Stephen Pedersen on how his garden, his guitars, and the death of his closest friend shaped his new record.

June 5, 2026

Sook-Yin Lee Talks with John Cameron Mitchell on the Talkhouse Podcast

 "People in the same room is a balm and a medicine and an antidepressant and an understanding that we are still fucking human."

June 4, 2026

Anna Thérèse Witenberg and Jack Whitescarver Talk the Physicality of Music

The choreographer and the musician catch up about their creative upbringings, electronic music, and more.

Poliça and Circuit des Yeux Tap into the Rawness

Channy Leaneagh and Haley Fohr catch up about songwriting and more ahead of their show at Knockdown Center.

CORRECTION: Morgan Wallen Did Not Flip A Piano

A special report from Adam Schatz on this latest incident of "Nord Shame."

June 2, 2026

Pleasure Systems and Emily Wells Want to Know Each Other Forever

The friends catch up about irony in music, Fire Island, the queer lineage of their work, and Leave It in the Sand.

June 2, 2026