Skip to Content
Talkhouse home
Talkhouse home
Film

Video Essay: Blade Runner 2049‘s Denis Villeneuve and the Silent Close-Up

In anticipation of the biggest film of Villeneuve's career so far, a look at his most striking visual trademark.

6:00 AM EDT on August 30, 2017

Denis Villeneuve may be one of the most visually driven filmmakers working today. When I think of his films, I think of grand vistas, striking wide shots, and haunting silhouettes. However, despite how memorable these shots may be, Villeneuve's secret stylistic weapon is his use of the simple close-up. The close-up, one of the most basic shots in cinema, is probably used more frequently than any other shot. In fact, the shot is so common that majority of them don't receive the same analysis as more "artsy" shots. Traditionally, most close-ups are used during dialogue with shot-reverse-shot editing. But Villeneuve employs the close-ups during moments of silence, letting his camera linger on speechlessness. He forces us to endure the devastation, the shock, the awe. Whether a character simply cannot come to terms with what was just said to them, or maybe they just encountered a giant tarantula, Villeneuve captures the silence at close range, and we feel every second of it. The Canadian filmmaker may very well have the best back-to-back track record in recent memory. Starting with Prisoners in 2013, Villeneuve has since directed critical successes Enemy, Sicario and Best Picture nominee Arrival. It appears this stellar track record will continue this fall when Villeneuve's Blade Runner 2049 is released. Expect Ryan Gosling to have a few more silent-close ups than usual.

Related Stories

Three Great Things: Hiam Abbass

The hugely acclaimed Palestinian actress, who is currently starring in the war drama Atonement, picks a trio of personal favorites.

October 9, 2026

The Camera is a Womb

Model turned filmmaker Sophia Dunn-Walker challenges the idea of the male gaze, explaining the lens through which she sees the world.

October 8, 2026

Two Halves of a Chalky White Pill

Writer-director Chris Merola, whose debut feature Lemonade Blessing is out now, on life and filmmaking on Lexapro.

October 7, 2026

Nobody’s Ever Asked Me That: Jaboukie Young-White

The popular comedian and actor, who can now be seen in The Love Hypothesis, goes deep on dreams, duppies and dung beetles.

Notes on a Dedication

In 2025, when Travis Gutiérrez Senger finished ASCO: Without Permission, he dedicated the film to his mother and grandmother ...

Three Great Things: Clark Duke

The popular actor turned writer-director, whose new movie Stranglehold is out now, chooses an eclectic trio of favorites.

October 2, 2026