David Mitchell’s new novel Utopia Avenue offered a splendid diversion during the pandemic. His books are typically tricky and this one is no exception. But it offers an element of fun, set as it is in the late ’60s music scene, that will make it more accessible to general audiences. It’s hard to get music and musicians right in fiction. Otherwise brilliant writers have hit uncharacteristically sour notes when trying to do justice to the world of rock and roll: See Elmore Leonard’s Be Cool. It’s not that Mitchell’s depiction is so realistic — cameos by the likes of Bowie and Jimi Hendrix are a little too perfect and convenient. But he captures the alternating experience of ecstasy and tedium that is the life of a rock and roller. Given that I have lost access to that life during the pandemic, I enjoyed visiting David Mitchell’s Utopia Avenue.
Music
Best of 2020: Rhett Miller Loved Utopia Avenue
David Mitchell's novel was a "splendid diversion."

Stay in touch
Sign up for our free newsletter
Related Stories
Mood Board: Marci’s Mask Lady and Late Night Girl
Marta Cikojevic on how being a Gemini, French tip manicures, and more shaped her new record.
Ben Gibbard (Death Cab For Cutie) Talks with Bob Mould on the Talkhouse Podcast
"In that moment, I realize how fucking old I am."
Max Subar and Andrew Sa Believe in the Good in the World
The Chicago musicians talk their musical origins, being labeled “progressive country,” and more.
Colin Blunstone and Peter Asher Are Hitting the Road
The British Invasion legends catch up ahead of their US tour with The Fixx.
Mood Board: Dos Santos’ Es Amor
The Chicago quintet talks the importance of harmony and space in the making of their new record.
Madison Cunningham Talks with Johanna Samuels on the Talkhouse Podcast
"We actually can't talk about being women in music unless we're naked." (Relax, they're joking.)





