I heard “Wasted” for the first time when Nnamdi played it for us in Abby [Black, Lala Lala guitarist]’s car and Abby said, “This song is $10,000.” Everything about it is beautiful — the vocals, the beat, the sentiment. The deep bass, the sound I always think of as “glittery.” You know, he says, “Tell me what you want me to hear / ‘Cause we ain't got time to waste,” which is a feeling I really relate to — time is precious, we don’t necessarily have a lot. Why wait? “I love to hear you speak / Judgment free / Just be real / I want you to feel safe, no / Need you to be safe.” He says essentially the same thing in a lot of different ways — different melodies, cadences, words, etc. which is… I need transparency. We both need transparency. Don’t we all need transparency and protection???? “Whisper in my ear or scream it out / Just do it now I need to hear you.” We are all begging to be told what is going on. This song builds and shifts in a really engaging way. It goes so many places. It’s so varied. I think it showcases a lot of Nnamdi’s talents — as a producer, a rapper, a singer, a songwriter. Nnamdi is an extremely special force. He’s often described as “genre-defying,” but I think he actually fits into tons of genres — what he does is draw from many places and sounds for what the song needs, creating extremely emotionally effective music. “Wasted,” and the whole album Brat is a great example of this.
Music
Best of 2020: Lillie West (Lala Lala) Talks Nnamdi’s “Wasted”
Love from one Chicagoan to another.

Stay in touch
Sign up for our free newsletter
More from Music
Explore MusicMood Board: Criteria’s SEIZE!
Stephen Pedersen on how his garden, his guitars, and the death of his closest friend shaped his new record.
Sook-Yin Lee Talks with John Cameron Mitchell on the Talkhouse Podcast
"People in the same room is a balm and a medicine and an antidepressant and an understanding that we are still fucking human."
Anna Thérèse Witenberg and Jack Whitescarver Talk the Physicality of Music
The choreographer and the musician catch up about their creative upbringings, electronic music, and more.
Poliça and Circuit des Yeux Tap into the Rawness
Channy Leaneagh and Haley Fohr catch up about songwriting and more ahead of their show at Knockdown Center.
CORRECTION: Morgan Wallen Did Not Flip A Piano
A special report from Adam Schatz on this latest incident of "Nord Shame."
Pleasure Systems and Emily Wells Want to Know Each Other Forever
The friends catch up about irony in music, Fire Island, the queer lineage of their work, and Leave It in the Sand.





