Skip to Content
Talkhouse home
Talkhouse home
Music

Best of 2020: Hamilton Leithauser on Charlie Kaufman’s Other Big Project of This Year

It’s a massive novel called Antkind.

9:00 AM EST on January 5, 2021

Charlie Kaufman’s Antkind got me good this year. The narrator is this hyper-obsessive, hyper-progressive jerk who is desperately afraid of offending any minority group, but repulses nearly every person he meets. He’s also a rage-filled, pretentious, envious, and unsuccessful movie critic who trashes his own daughter’s film on his blog. The neurotic jargon gag worked for the entirety of the novel’s considerable length (though I do wish it had been about 150 pages shorter). That said, Donald Trump screwing an identical cyborg version of himself was very well written. While I was reading Antkind  I also watched Kaufman’s I’m Thinking of Ending Things on Netflix (which is based on a book I have not read), which, like Antkind, metamorphoses into a surreal dream-state in order to reveal the story’s theme, which is actually quite a clever mechanism in both the book and the film. Neither is a “gotcha” gag — they’re more like slow-burning realizations. I recommend the movie as well (although I do think it too could have been trimmed by about 20 percent), as it features fantastic performances by both leads, most notably Jessie Buckley, who I thought was nothing short of amazing. 

Stay in touch

Sign up for our free newsletter

Related Stories

Mood Board: Nina Winder-Lind’s Wild Love

The Brighton-based songwriter on the music and art that shaped her new record.

August 21, 2026

Mood Board: Wild Pink’s Still Coming Down

John Ross on Jeff Tweedy, The Mummy, and more that inspired the new record.

August 21, 2026

William Basinski (The Disintegration Loops) Talks with Sondre Lerche on the Talkhouse Podcast

Gorgeous pop and disintegrating soundscapes collide in one episode.

August 20, 2026

Pieta Brown, S. Carey, and Mike Lewis Had A Lot of Fun Making Dreamin’ Of

The songwriter roundtables with her co-producers on the making of her latest record.

August 20, 2026

Left At London and Theophobia Have a Sparks-ian Ethos

Nat Puff chats with Dylan Mars Greenberg and Matt Ellin about their new self-titled record.

August 18, 2026